Trainspotting
is filled with vibrant characters who are distinct from each other in every
single aspect of their personality; Rents is, at heart, a caring person,
especially towards his best friend Tommy; Sick Boy is, as his nickname points
out, a twisted man who places himself on pedestal above others, claiming
numerous times that he was going to kick dope; Spud is the fool of the crew of
friends, shyly injecting his remarks into the conversation without expecting
direct responses; Tommy is the ‘responsible’ figure in the group, limiting
himself to speed until breaking up with Lizzy at which point he becomes a
junky; and Begbie is a belligerent, spiteful man with a knack of causing
turmoil and chaos. The characteristic that is common within all of these vibrant
and colorful characters is that of an addiction. Though they all have a
physical addiction, Rents/Sick Boy/Spud/Tommy all do heroine whilst Begbie is a
drunk, they are also addicted to popular culture.
Tommy’s obsession with Iggy Pop
pushes him to purchase concert tickets instead of buying birthday present for
his girlfriend, Lizzy. His negligence of his lover’s desires inevitably leads
Lizzy to dump him, knowing that she could do better. Sick Boy is interested in
one thing, getting the ladies. Therefore, it is only natural that his idol
would be no other but Sean Connery, the slyest of the womanizing Bonds. Spud is
the whipping boy of the group, and for whom everyone feels a necessity to
protect. Evidently not a bright person, Spud is grasped by the materialist
world pushing himself to do petty crimes of shoplifting. Begbie is most definitely a masochist, looking
for a fight every time he enters a pub. He adheres to social norms of the heavy
drinking Scot who doesn’t take shit from anyone, though he gives others a lot
of shit for not apparent reason. He believes to be better than his friends who do
heroine, claiming that alcohol only does well to him.
Trainspotting
emphasizes every individual’s addiction to popular culture, our dependency on
it for daily living. Welsh demonstrates how dependence on pop culture can be as
harmful, if not more, to the a person’s soul.
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